photo by Cameron Makin

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Travis is a multi-context artist based in London. Their work crosses over sound, music, performance, film, and writing. Graduated from the University of the Arts London in 2023 in Sound Arts, their practice circulates all things sonic and more.

As an emerging artist, they work with sound as a sculptural material to discuss topics such as situational listening, relationalities and habits of the bodies within social, historical and political frameworks. The series "History is but a Sullen Memorabilia" aims to establish a variety of vocabularies on how sound can be embodied and experienced through different approaches to acoustic gestures. It includes the performance Nobody Knows, the radio opera Swan Song Pt.1, and Four Concrete Walls, a field project consisting of a book, field recordings, and a sound walk.

They also work in galleries, theatres, music venues and film studios across sound engineering, sound design, and multi-media installations. Since 2018, they have worked with artists and institutions to tailor sonic situations and facilitate listening. They are interested in interweaving art, sound, and music through emergent technologies, including designing sound systems, engineering virtual acoustics and creating immersive sonic environments.

They have performed most recently at Southbank Centre, The Old Church Stoke Newington, Windmill Brixton, Iklectik, Undercroft Gallery, Gallery 46 Whitechapel, Set Dalston, Ugly Duck, Spanners Club, and Avalon Cafe.
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俞摯畑（that travis）是一位聲音藝術家，唱作歌手及音樂製作人。生於香港威爾斯親王醫院，早年成長於竹園南邨，摯畑對於世界充滿好奇，從小於日常顯露創意，唯於傳統學校未能拔萃，高中就讀於香港兆基創意書院時開始接觸音樂以及不同藝術範疇。及後進入倫敦藝術大學修讀聲音藝術，於二零二三年畢業。

摯畑作品以身體出發，涉獵多個媒介，從田野考察、聲音裝置、表演，以及攝影、文字、雕塑、錄像等等，探索有關聆聽、處境、關係性與習慣等等的主題。

二零二四年五月，摯畑發行他的第一張唱作大碟《In the Vastness of Landscape, Whatever Matters》，結合八年以來寫下的旋律，揉合多個樂種，風格難以言喻，曾被唱作人Jonathan Yang形容為「好似聽左一陣霧咁」。